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Monuments and Topography in Portugal

Democracies also immortalise their heroes in statues and monuments. This statement is increasingly true for Portugal. The dictatorial legacy has been replaced by its adversaries and the symbols of the Carnation Revolution. The glorification of the country’s colonial heritage remains controversial.

The heroes of Portuguese democracy today are chiefly those who opposed the dictatorship of the “New State”. The most prominent figure of the military resistance was Humberto Delgado, popularly known as the “general without fear” (general sem medo). In the 1958 presidential elections, he caused a serious crisis for the regime. His candidacy could only be stopped by electoral fraud. In Delgado’s birthplace, the small village of Boquilobo, a museum was set up in his honour and a statue erected next to it. The main road that runs through the village now bears his name, as does Lisbon airport. The presidential elections of 1958 brought forth another hero of the resistance, António Ferreira Gomes, who was Bishop of Oporto at the time. He paid for his criticism concerning the elections in particular and the lack of liberties in the Salazarist regime in general with exile in Spain. In Oporto, a statue of Ferreira Gomes was erected by Arlindo Rocha in 1979 in front of the Clérigos Tower. A prominent monument honouring opposition writers such as José Saramago and Sophia de Mello Breyner Andresen was inaugurated in Coimbra – not far from the former PIDE headquarters – in 2001.

No historical event has had such a lasting impact on the topography of Portuguese cities in recent decades as the Carnation Revolution of 25th April 1974. The references to this event are multifaceted. On the one hand, there are the graffiti, already known since the revolution, with their typical socialist-revolutionary iconography that decorate concrete walls in Lisbon to this day. Popular motifs include the red carnation, the number 25, or Captain Salgueiro Maia, who stands pars pro toto for the Armed Forces Movement. On the other hand, there are numerous statues and monuments with comparable iconography commemorating 25th April, most of which were inaugurated on the anniversaries of the revolution. Finally, it is worth noting that 25th April has exerted a considerable impact on the toponymy of the major Portuguese cities. Not only street names demonstrate clear references to the events of April 1974, but also large structures. On example of this is the suspension bridge over the Tagus in Lisbon, which was renamed from its original moniker Salazar Bridge to the 25th of April Bridge.

In the course of the revolutionary upheaval in Portugal, the remnants of the former dictatorship were quickly removed from the country’s topography. This primarily concerned the statues and monuments of the dictator Salazar himself. The statue of Salazar which was created by Leopoldo de Almeida in Salazar’s home municipality of Santa Comba Dão in 1965 deserves special attention in this context. Immediately after the revolution, it was smeared and temporarily covered with black blankets, until it was finally decapitated in November 1975. Attempts to put the head back on led to massive riots that even claimed one life. In February 1978, the statue was blown up. Its remnants were replaced in 2010 by a monument dedicated to the “overseas fighters” in the Portuguese Colonial War. Thus, the statue was replaced by another highly contentious commemorative topic that is increasingly becoming the target of criticism.

Estatuas y topografía en España

Incluso en la España democrática posterior a 1975, las estatuas del dictador Francisco Franco y sus generales militares permanecieron en sus pedestales. Sólo después del cambio de milenio comenzó en España la era del derribo de monumentos.

Una cesura que duró 11 horas enteras. Aunque planeada como operación nocturna, los activistas de izquierdas enmascarados tardaron hasta el mediodía del 10 de septiembre de 1983 en levantar la estatua ecuestre del dictador Francisco Franco de su pedestal en la Plaza del Ayuntamiento de Valencia con la ayuda de una grúa. La retirada a instancias del ayuntamiento, acompañada de protestas por ardientes partidarios de Franco, marcó un punto de inflexión. Durante mucho tiempo, el pasado de la dictadura franquista dominó el paisaje urbano, incluso en la España democrática. Las estatuas ecuestres del dictador, erigidas principalmente en los años sesenta, adornaban las plazas centrales de Madrid, Valencia, Santander, Barcelona y Zaragoza. Al mismo tiempo, los monumentos a los generales y militares nacionalistas que habían planeado el golpe se erigieron en sus respectivas ciudades de origen, y permanecieron allí mucho tiempo después de la transición democrática.

En oposición a estas continuidades, el gobierno PSOE de Felipe González (1982–1996) ya trabajaba a mediados de los ochenta en la construcción de una decidida contramemoria en forma de nuevas estatuas. Así, se erigieron cuatro monumentos en el área metropolitana de Madrid representando a líderes políticos de la Segunda República: los ministros socialistas Indalecio Prieto y Francisco Largo Caballero, el presidente del parlamento Julián Besteiro y el presidente de la República Manuel Azaña, de Izquierda Republicana. Los renombrados escultores españoles Pablo Serrano Aguilar y José Noja Ortega, que habían pasado largos periodos de la dictadura franquista en el exilio americano y regresaron a su patria tras la muerte del dictador, fueron los responsables del aspecto brutalista de las estatuas. Además, el último presidente del gobierno regional catalán, Lluis Companys, ejecutado por los nacionalistas franquistas en 1940, fue honrado con un mausoleo en Barcelona en 1985.

Con el cambio de milenio se inició una importante oleada de demoliciones de monumentos, principalmente como consecuencia de la Ley de Memoria Histórica de 2007. Así, las estatuas ecuestres franquistas de Madrid, Zaragoza, Barcelona y Santander fueron desmanteladas entre 2005 y 2008. Los monumentos franquistas de la periferia española permanecieron. Una estatua en el exclave español de Melilla en Marruecos, que representa al combatiente africano Franco con uniforme colonial, no se retiró definitivamente hasta principios de 2021. La estatua de Franco en Santa Cruz de Tenerife, sigue en pie. Muestra al longevo dictador con los rasgos faciales embellecidos, espada y capa, entronizado sobre un ángel de la victoria. En 2010, el ayuntamiento, dominado por fuerzas conservadores, rebautizó la estatua con el nombre de "Monumento al Ángel Caído" para protegerla de su inminente desmantelamiento.